Before the first flap falls, I have to put together a few fundamental things. I learned to plan, prepare and, above all, ask important questions. What and why? I have no mover without answering these questions. When I say in the middle of the process that it is too much work and that it is not worth it, I can say why I do it. This is a driven.
Maybe we should say what the phases we will go through. Like this article, it has its curriculum, so filming the film has its phases. I've never done it on such a scale before, so there will be a lot of things new. I'm burning? Probably. Does it bother me? At all.
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What makes a good photo? Clearly, composition, light, subject. But also the courage to go beyond your possibilities. Understand what you are photographing. Today I will talk about the fact that sometimes it's necessary to climb into the water, lie down in the mud or climb on the barrel.
Uff, so I have some photos and now what about them? No, it shouldn't start like this. Many of you, and indeed us, sometimes think the other way around. First take a pictures and then you think about what to do with them. I'll tell you a secret. Try the other way around. First figure out what you want to do and then look for a photographer. Ideally good to help you meet your goal. And it doesn't have to be just me.
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I am a filmmaker, documentarist, and environmental ambassador. I tell stories—through film and photography—about those shaping a sustainable world. From mezcal distilleries in Mexico to Moravian vineyards, I capture narratives that matter. I also craft experiences in UI/UX design and create music. When I'm not behind the camera, I travel, drink good wine, and enjoy great whiskey.
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